CHRISTMAS CACTUS CUPCAKE TOPPERS

CHRISTMAS CACTUS CUPCAKE TOPPERS

Author: SARAH BRAY

Skill level: BEGINNERS

You will need:

  • Red sugarpaste treated with tylose powder
  • Saracino modelling paste white
  • Saracino modelling paste green
  • Saracino modelling paste light green
  • Saracino modelling paste red
  • Saracino modelling paste black
  • Small piece of yellow modelling paste (I coloured saracino white with melon yellow food colouring)
  • Small piece of blue modelling paste (I coloured saracino white with baby blue food colouring)
  • Sugar glue
  • Non edibles
  • Workboard
  • 58mm round cutter
  • Foam drying mat
  • Rolling pin
  • Paintbrush
  • Small ball tool/Large ball tool
  • Smoother
  • Sharp knife
  • Craft knife
  • PME blade tool
  • 29mm circle cutter
  • 10mm diamond plunger cutter
  • 6mm circle cutter
  • 11mm star plunger cutter
  • Fine tipped edible black pen

Step 1

Roll out the red sugarpaste and cut out four 58mm circles. Leave to dry on a foam mat

Step 2

Take a piece of white paste about the size of a large cherry tomato. Holding a smoother at an angle, roll back and forth to create a large teardrop shape.

Step 3

Using a sharp knife, cut the excess off at either end to make the pot. Repeat this three times to make four pots and set aside.

Step 4

Roll a cherry tomato sized piece of light green paste into a ball in the palms of your hands.

Step 5

Using a blade tool mark four deep creases into the cactus.

Step 6

Using some sugar glue attach the cactus to one of the pots.

Step 7

In one of the spaces use a small ball tool to make dents for the eyes.

Step 8

Cut out a 29mm circle of thin white paste and leave it to harden for a minute. Use a craft knife to cut a wiggly line all the way round to make the cream for the top of the cactus Christmas pudding.

Step 9

With your fingers, press this onto the top of the pudding using a spot of edible glue if necessary.

Step 10

To make the holly cut out two diamonds using the 1cm plunger diamond cutter and use a straw to remove the corners off two of the opposite sides

Step 11

Roll three tiny balls of red paste and attach the leaves and berries to the top of the pudding with sugar glue.

Step 12

For the eyes roll two small balls of black paste and secure with sugar glue. Add tiny white balls of paste as highlights. Roll a piece of black paste thinly and cut out a 6mm circle. Cut in half with a craft knife and attach one half for the mouth. Attach this pot to one of the red toppers with sugar glue.

Step 13

Roll a cherry tomato sized piece of light green paste into a ball and angle your hands to roll into a teardrop shape.

Step 14

Roll a cherry tomato sized piece of light green paste into a ball and angle your hands to roll into a teardrop shape.

Step 15

Mark 5 lines on the cactus with a blade tool as before and attach the cactus to the pot with sugar glue. Mark in two dents for the eyes with a small ball tool as before.

Step 16

To make the Santa hat roll a large marble sized piece of red paste into a ball. Angle your hands and roll into a teardrop shape

Step 17

Cut off the rounded end with a sharp knife to make the hat and stick onto the cactus’ head using sugar glue if needed. Bend the tip over slightly

Step 18

Roll a long sausage of white paste (about 3mm thick) and flatten slightly. Wrap around the base of the hat and trim off excess at the back with craft knife. Use a spot of sugar glue to secure if needed. Roll a small pea sized piece of white paste into a ball and attach to the top of the hat with sugar glue

Step 19

To finish off add two small balls of black paste for the eyes and add white accents as before. For his mouth roll a piece of black paste thinly and cut out a 6mm circle. Cut in half and attach one half. Glue the cactus pot to a red topper.

Step 20

Roll a cherry tomato sized piece of green paste into a ball. Angle you hands and roll into a tear drop shape. Cut off the pointed end with a sharp knife.

Step 21

Place on board and in a rocking motion from bottom to top mark on three lines using a blade tool. These will be the back of the cactus

Step 22

For the front mark only a quarter of the way up from the bottom and repeat. Do this from the top a quarter of the way down and repeat. This will then leave a space for his face to drawn on later. Use sugar glue to attach the cactus to the pot.

Step 23

Use a small ball tool to mark a dent half way down on either side (this is where his arms will attach into)

Step 24

Roll 2 pea-sized pieces of green paste into balls. Roll into teardrops with the side of your finger.

Step 25

Bend slightly and use sugar glue to stick these into the dent on either side. You may need to support these for a few seconds whilst they are drying. Set aside.

Step 26

To make the decorations cut out a star (10mm star plunger cutter) from yellow paste. Attach to the top of the cactus. Roll a small petit pois sized piece of blue and red paste for the baubles. Attach one bauble to each arm using a spot of sugar glue if necessary. Set aside to dry.

Step 27

Take a large marble sized piece of green paste and roll into a ball. Use your fingers and thumbs to flatten into a thick circle.

Step 28

Attach to one of the pots with sugar glue.

Step 29

Roll another piece of green paste into a pea sized ball and flatten in the same way. Attach to the top right hand side of the circle. Roll two more petit pois sized balls of green paste, flatten and stick one on the previous circle and the other on the left hand side

Step 30

For the mistletoe make two tiny balls of light green paste and roll into teardrops using the side of your finger.

Step 31

Roll out from the rounded end first using a rolling pin to make two small leaves. Attach these two the left hand side of the cactus.

Step 32

Roll three tiny balls of white paste and secure these next to the leaves with sugar glue. Attach cactus pot to a red topper and leave to dry

Step 33

When toppers are completely dry draw faces on to both dark green cacti using the fine end of an edible black pen. Stick on last cactus pot to remaining red topper.

Sugar Pirates

Sugar Pirates

In 2017 a group of sugarcrafters came together under the leadership of Captain Vicky Teather of the Yellow Bee Cake Co to form the Sugar Pirates. Vicky is one of the UK ambassadors for Saracino.

We have created a display of cakes, cookies and cupcakes using Saracino products. We’re super proud to announce that we won the best group table at Cake International.
Many of the artists chose to use Saracino for their pieces, so I’ve put together a gallery of some of the favourites from the show to share.
One of the most popular was Nicola Gerrans take on Captain Jack Sparrow and Anna Taylor Dillon’s skeleton pirate
Vicky created the Sugar team to include all skill levels, so if you would like to take part in next years theme please contact our facebook page, SUGAR COLLABORATION  and check out our marvellous booty of fine work.

Enjoy <3

 

Hi, I’m Anna Taylor Dillon, based in Glasgow, Scotland. I own and run a full time catering business and also operate a part time cake business called Dillons Cakes,

I am self taught cake decorator/artist and baker and this was my third year at Cake International. I used a mixture of Saracino paste and modelling chocolate for the outer details and modeling paste for the main body to create Soulless Black Bob.

I’m Charlotte, an Ambassador for Saracino and I dropped my first piece!???????
I whipped this one up using Saracino modelling paste and covering paste.

My name is Debbie and I used Saracino modelling paste for my mermaid who is drowning the poor pirate, my waves and the seaweed.

Hi, I’m Donna from Valentinoscakery I started my cake decorating business in 2014 in Bournemouth, Dorset. I love using chocolate as an art medium and
I created my pirate using Saracino modelling paste.

I am Eva Cockrell and I have been decorating cakes for nearly 6 years, my business Euthymia Cakes is based in Hanslope, Milton Keynes.

I am a self-taught home baker turned pastry chef and I mainly create wedding cakes and sugar flowers. I used Saracino modelling paste except for feathers made of rice paper.

Hi I’m Fee Kakes from SCrumbtious Kakes in South London.

I’ve been competing at CI for 4 years now obtaining 3 Merits, 4 Bronze and 2 Silver Awards. Hoping that Gold is on the horizon.

Jen Lofthouse of Darrowby Cakes based on Thirsk North Yorkshire . Like so many of us I am self taught and have ran my home based business for nearly 6 years.

I have been competing at cake international for 4 years and have racked up plenty of awards including 5 golds and a 3 rd place of which I am extremely proud.

I’m Julie Rogerson from Julie”s Cake In A Box and I am based in Beverley, East Yorkshire.

I started decorating cakes around 6 years ago as a hobby, and now run a full time business. I have won Bronze, Silver and Gold awards at Cake International and have had tutorials published in various cake decorating magazines.
I used Saracino modelling paste and Saracino modelling chocolate for my pirate mermaid.

I’m Kate Jordin and I run The Bake Well Tart in Hinckley, Leicestershire. I have come a long way since the first cakes I made my family 10 years ago…

I started The Bake Well Tart two years ago and my passion is for creating unique and exciting cakes. I love working with other cake artists in collaborations
like this, because they are an opportunity to challenge myself whilst having some fun!

Hi, I’m Lesley Marshall, based in Taunton, Somerset. I operate a part time cake business called Lesley Marshall – cake art.

I am self taught cake decorator/artist and baker and this was my third year at Cake International. For “Jasmin” I used a mainly Saracino paste and a little flower paste.

Here’s my HMS Unsinkable pirate, struggling to stay afloat away from monsters lurking below! My piece is made with both Saracino modelling chocolate and modelling paste.

I’ve been doing cakes now for 6.5 years and its my passion. I write for magazines and share my tutorials as my main time focus and take part in colabs along side.I absolutely love making models that wow people

Hi, my name is Lorraine Mcgarry and I’ve been in business for about 5 years making predominantly wedding cake so I love when I get to push my boundaries with different
styles of cake, since discovering Saracino products my modelling has improved no end as itís such a forgiving product to use.

I used both Saracino modelling chocolate and modelling paste.

Hi, I’m Nicola Gerrans Sugar Art from Cornwall.

Sculpted cake designer and self-confessed sugar collaboration/competition addict. Jack Sparrow sculpted with Saracino.

Rob is the face behind Mr Bakerís Cakes – an award-winning hobby and passion project that keeps him sane alongside a very demanding full-time career as a primary school teacher.

Rob also runs the hugely successful Mr Bakerís Blog – one of the UKís top-rated baking and caking blogs and the home of his weekly online magazine, Something Sweet. His blend of topical articles and posts, recipes, tutorials and interviews with some of the most recognisable faces in cake have made Robís blog an essential resource for any caker and he is passionate about sharing and celebrating the incredible talents out there in the world of cake.

I am Sarah, I own Sarahís Cakes based in Horley, Surrey.
I have been making cakes for 5 years and really enjoy making animal characters.

My parrot was built around a frame with rice Krispy treats and I used Saracino model paste for his finer detailing as i find it gives a beautiful finish.

I’m Sarah Lou and I’m a Saracino Ambassador. I run my cake business and cake school Sensational Sugar Art In Cheddleton In Staffordshire.

My piece is made using Saracino top paste and modelling paste.

Saracino all the way for me 🙂 Suzanne from Cakin’ Faerie – Cake Design and Decoration based on the Bucks’Berks border in the village of Burnham.

My business was born in 2011 after I started to get more and more requests for cakes outside of my Family & Friends circle. I competed at Cake International for the first time
in 2014 and was delighted to receive a Gold Award. I love collaborations as they allow me to push my comfort zone and this was certainly the case with my piece
for Sugar Pirates.

I’m Vicky Teather form The Yellow Bee Cake Company. This piece was created with using Saracino products.

I’m Helenmarie Looker and I own Helenmarie’s Cake Boutique, based in Cottenham, Cambridge. I started out making cakes in 2011 for friends and family, but it soon grew
into the sucessful business it is today. I have been very fortunate to win Bronze and Silver awards at Cake International in the Decorative Exhibit category and hope
to add to them in the future.

I am expanding my skills and my business by becoming a trainee demonstrator for the the British Sugarcraft Guild and hosting sugarcraft classes in the surrounding villages where I live.

Hi, I’m Lesley Marshall, based in Taunton, Somerset. I operate a part time cake business called Lesley Marshall – cake art. I am self taught cake decorator/artist and baker and this was my third year at Cake International.

For “Jasmin” I used a mainly Saracino paste and a little flower paste.

Hi! I’m Jojo from Jojo’s Cupcake Madness, i started making cakes as a hobby in 2012 turning it into a small business in 2013.

Since then I’ve entered several competitions which resulted in winning Gold, Silver and Bronze awards. I am continuing to grow my skills each year and looking into teaching beginners sugarcraft

Hi, my name is Sarah and I own Daisy Cakes in Wokingham, Berks. I specialise in cupcakes and in particular miniatures, and have been teaching for the last two years.
I used Saracino modelling paste for my piece.

Hi I’m Nik from Sweet Creation LTD.  I’m a multi award winning artist based in Portsmouth.

I was really excited to create my piece, so ended up finishing the skull months in advance. I used Saracino  products, as they really help me to create great cakes.

I’m Susan Angell-Salter and the Owner of Vintage Couture Cakes based in the Vale of Evesham. I am fairly new to collaborations and modelling figures as I mainly do wedding cakes and sugar flowers.

I have given myself a challenge to create more complex models during the next twelve months.

Congratulations On Your Amazing Creations!

Take Your Time And Watch This Amazing Cake And Creations In Full Bloom.

To Watch Click HERE

Join Our Newsletter

We’d love to send you the latest news, discounts & exclusive offers via email! By signing up below you are confirming you are happy for Saracino to send you marketing emails. We will always treat your personal details with the upmost respect & will never sell your details to other companies for marketing purposes.

• All the latest industry news   • FREE video tutorials   • Exclusive product offers

Products         Tutorials          Ambassadors           Events           Blog           Showcase         Contact

CUTE HIPPO TAKING BATH

CUTE HIPPO TAKING BATH

Skill level: BEGINNERS

FROM LYNSEY:

Here Sugarwhizz shows you how to model this cute hippo taking a bath! Little hippo and his adorable duck would be perfect for that special baby shower cake or little one’s birthday!

 

You will need:

  • 2 x 28g Rice crispy treat bar
  • Grease Proof paper / Parchment paper and scissors
  • Dresden tool
  • Large and small balling tools
  • Small Rolling Pin
  • Sharp knife
  • Small Paintbrush (for gluing together)
  • Small soft paintbrush (for dusting details).
  • Cool boiled water
  • Cocktail sticks
  • Food safe skewer
  • For this tutorial I used the following Cerart tools Cerart Large balling tool (K500) Cerart Small balling tool K501 & K502
  • 30g Black Saracino modelling paste
  • 50g Brown Saracino modelling paste
  • 7g Grey Saracino modelling paste – Add a small amount of Saracino black gel to white paste.
  • 88g of grey Saracino modelling chocolate
  • 10g White Saracino modelling paste
  • 3g Light blue modelling paste
  • 1g Black Saracino modelling paste
  • 5g Navy Saracino modelling paste (add a small amount of blue colour with a tiny amount of black to the paste to create navy)
  • 3g Yellow Saracino modelling paste
  • 1g Black Saracino modelling paste
  • 1g Orange modelling pastE
  • Saracino gel Black, Light Blue, Yellow, Orange, Brown
  • Saracino Powder lake – Pink and brown
  • Cool boiled water for gluing

Step 1

Take two 28g bars of RKT and roll into a short fat cylinder shape, gently pressing and squeezing the RKT together as you go. Flatten the top and bottom. 

 

Step 2

Take 30g of black modelling paste, knead and soften to warm up. Using a small rolling pin roll out the paste to a thickness of around 1-2mm, the paste should be big enough that when you drape it over the RKT the whole barrel is covered.

Step 3

Smooth the paste across the top of the barrel, then using your fingertips gently smooth the paste down around the sides. Don’t worry if there are creases it doesn’t have to be perfect. Turn the barrel upside down and gently but firmly squeeze the paste around the sides to ensure the paste is stuck to the RKT. There should be no need for water the RKT should be sticky enough to hold the paste.

Step 4

Gather the excess paste around the bottom of the barrel.

Step 5

Fold the excess paste down onto the bottom of the barrel. Gently but firmly push and smooth the paste together to completely cover the bottom of the barrel. 

Step 6

Turn the barrel the right way up and place on the work surface. Gently press down on the top with the palm of your hand to ensure the paste is well stuck to the RKT.

Step 7

Rub the paste on the bottom with your fingertips in small circular motions to blend and smooth together.

Step 8

Smooth any prominent lumps and bumps around the sides again by rubbing the paste in small circular motions with your fingertips.

Step 9

Finish off by smoothing the top of the barrel and ensuring its relatively level.

Step 10

Cut a piece of greaseproof paper so that it’s slightly longer than the circumference of the barrel and approximately 5mm taller than the top of the barrel.

Step 11

Take 50g of brown modelling paste, knead and soften to warm up then roll out to a thickness approx. 3-4mm. Lay the paper template you made in the previous step on top of the paste and using a sharp knife trim the paste to size.

Step 12

Use the sharp knife to cut the paste into 10 strips. They don’t have to be precise or even the same width. Use the veining end of the Dresden tool to score lines and grooves from top to bottom on each plank. 

Step 13

Continue until all the planks are textured. Try to keep the planks in order, to ensure they fit together when you stick them to the barrel.

Step 14

Apply a small amount of water to the back of the first plank and stick into place. Leave approximately 5mm of the plank sticking up above the barrel. Ensure that the plank is straight and stick down bending the end of the plank underneath as shown.

Step 15

Continue around until all the planks are stuck into place. It may be necessary to trim the last plank with a sharp knife to fit. Don’t worry if you have small gaps. That’s why we covered the barrel with black paste first! 

Step 16

Use the veining end of the Dresden tool to gently redefine the edges of the planks. Start at the top and run the tool gently down and around onto the base of the barrel.

Step 17

Mark the inside of each plank with the veining end of the Dresden tool to add texture.

Step 18

Using a small dry paintbrush apply a small amount of the brown edible tint down the edges of each plank to shade and add contrast.

Step 19

Dust the top inside edges of the planks. Continue to add a small amount of shading randomly to the planks around the outside as shown.

Step 20

Take 7g of grey modelling paste, knead and soften to warm up. Roll out to a thickness of around 1-2mm. Use the paper template as a guide and cut 2 strips of paste approximately 1cm wide. Carefully cut one of the strips lengthways in half so that you have 2 thinner strips and one thicker strip of paste as shown.

Step 21

Add a small amount of water to the back of each strip. Attach the top strip first. Start at the back of the barrel, attach one end of the strip and wrap the paste gently around the barrel whilst sticking it in place. Trim off any excess paste. Repeat for the second strip and finish with the widest strip at the bottom. 

Step 22

Take 45g of grey modelling chocolate, roll into a tear drop shape. Sit on the work surface and gently flatten the top with your finger tip.

Step 23

Apply a small amount of water to the base of the body and stick into place on the top of the barrel. Gently push a food safe skewer down through the middle of the body and into the barrel, leaving a small amount of skewer protruding from the top ready for the head later.

Step 24

Take 30g of grey modelling chocolate knead and soften to warm up and roll into a ball.

Step 25

Roll the top of the ball between your thumb and forefinger to narrow the head slightly as shown.

Step 26

Gently press your finger across the face to create a shallow indent.

Step 27

To make the mouth first take the smoothing end of the Dresden tool and push in gently to open the mouth. Use the veining end of the Dresden tool to mark each side of the mouth.

Step 28

Use the small end of the small balling tool to gently indent each corner of the mouth as shown.

Step 29

Use the large end of the balling tool to indent two eye sockets as shown.

Step 30

Use the small end of the balling tool gently press in to make two small eye sockets as shown.

Step 31

Use the veining end of the Dresden tool to mark two small creases at the base of each eye socket as shown.

Step 32

Take 2g of black modelling paste, divide equally into two and roll each piece into a small ball. Apply a small amount of water into each eye socket and stick the paste into place. 

Step 33

Take 1g of grey modelling chocolate and roll two small balls. Stick them into place as shown. Use the small balling tool to gently create the nostrils.

Step 34

The nostrils should be positioned just above each side of the mouth as shown.

Step 35

Take two tiny balls of grey modelling chocolate, roll each one into a teardrop and flatten with your fingertip. Use the smoothing end of the Dresden tool to indent the centre of each ear. Use the tip of the veining end of the Dresden tool to mark a line in the centre of each ear as shown. Cut the bottom of each ear off with a sharp knife as shown.

Step 36

Apply a small amount of water to the top of the body, gently slide the head down the skewer until it comes to rest on the body. Stick the ears into place on the top of the head.

Step 37

Take 3g of light blue modelling chocolate roll into a short fat cylinder. Flatten the paste slightly with your fingertips and gently squeeze the middle to indent the paste as shown.

Step 38

Take 10g of grey modelling chocolate and divide equally into two. Roll each piece into a short teardrop. Narrow slightly at one end by rolling the paste between your thumb and finger to create the hand. Gently flatten and smooth the hand with your fingertips. Again, roll the paste between your thumb and finger to narrow the wrist and lengthen the arm as shown. Bend the right arm in the middle and gently pinch out the elbow. Leave the left arm straight.

Step 39

Gently press a food safe skewer into the paste as shown.

Step 40

Carefully slide the arm down the skewer and stick into place with a small amount of water.

Step 41

Use the large end of the balling tool to gently indent the palm of the hand.

Step 42

Stick the sponge into place at the bottom of the left arm. Stick the right arm into place resting the hand on the sponge.

Step 43

Take 7g of white modelling paste and roll multiple balls of varying sizes.

Step 44

Take 2g of white modelling paste and roll lots of tiny balls of various sizes. Stick them randomly into place around the top of the barrel.

Step 45

Take 2g of white modelling paste and roll lots of tiny balls of various sizes. Stick them randomly into place around the top of the barrel.

Step 46

Position some of the tiny balls so that they are ‘spilling’ down the side of the barrel.

Step 47

Roll two tiny white balls and stick them into place on each eye as shown.

Step 48

Stick some tiny balls around the base of the left arm and across the sponge. Add a few to the top of the right shoulder.

Step 49

Add a few tiny white balls to the top of the head and left hand.

Step 50

Use the small end of the balling tool to gently indent a belly button.

Step 51

Place the hippo to one side to dry a little.

Step 52

Take 3g of yellow modelling paste. Roll 1g into a teardrop shape, 1g into a small ball and divide the last 1g into two, roll each piece into a teardrop shape and flatten gently with your fingertip. Roll two tiny balls of black modelling paste, and finally roll a tiny ball of orange modelling paste into a teardrop shape.

Step 53

Stick the two wings either side of the body. Use the small balling tool to indent two holes and stick the eyes into place. Stick the head onto the body ad finally add the beak.

Step 54

Thinly roll 4g of navy modelling paste, and using a sharp knife trim the edges to make a rough rectangle shape. Gently roll and press a cocktail stick along the paste to texture.

Step 55

Fold the paste together to look like a crumpled towel.

Step 56

To finish use a soft paintbrush to apply a small amount of Saracino pink dust to the cheeks and palm of the hippo.

Step 57

Add a small amount of dust to the inside of the ears.

THE GREATEST SHOWPIECE

THE GREATEST SHOWPIECE


Introducing one little boy with a big imagination.

When little Jacob designed his own fifth birthday cake, he was inspired by his favourite film, with the design including all of his favourite characters, larger than life animals, music, movement and a lot more besides!

His godfather, cake blogger Rob Baker-Gall of Mr Baker’s Cakes and Mr Baker’s Blog knew that this wasn’t something he could do on his own, so he reached out to his friends – some of the most talented cake decorators and artists in the UK – to achieve the impossible and bring Jacob’s dreams to life.

We Are Featuring the work of 17 fantastically talented and amazingly generous cake artists from across the UK who all came together to help bring to life the dreams of a very special little boy on his fifth birthday.

The finished cake was on a 0.92m board and was over 1.6m tall – with the majority of the characters modelled out of Saracino Modelling Paste.

Enjoy <3

 

Congratulations On Your Amazing Creations!

Take Your Time And Watch This Amazing Cake And Creations In Full Bloom.

To Watch Click HERE

Join Our Newsletter

We’d love to send you the latest news, discounts & exclusive offers via email! By signing up below you are confirming you are happy for Saracino to send you marketing emails. We will always treat your personal details with the upmost respect & will never sell your details to other companies for marketing purposes.

• All the latest industry news   • FREE video tutorials   • Exclusive product offers

Products         Tutorials          Ambassadors           Events           Blog           Showcase         Contact

KAWAII HALLOWEEN CUPCAKE TOPPERS

KAWAII HALLOWEEN CUPCAKE TOPPERS

Author: SARAH BRAY

Skill level: BEGINNERS

You will need:

  • Black sugarpaste with tylose powder
  • Purple sugarpaste with tylose powder (I coloured white paste with Saracino violet gel colour)
  • Saracino modelling paste purple
  • Saracino modelling paste orange
  • Saracino modelling paste fuschia
  • Saracino modelling paste light green
  • Saracino modelling paste white
  • Sugar glue
  • Fine tipped edible black pen
  • Pale pink edible dust
  • 58mm round cutter
  • Cobble impression mat
  • Foam drying mat
  • Rolling pin
  • 29mm circle cutter
  • Paintbrush
  • Craft knife
  • Small ball tool
  • 2.5cm circle cutter
  • 6mm round plunger cutter
  • Small soft brush
  • Silicon shaping tool

GHOSTS

Step 1

Roll out black paste and use a cobble impression mat to make a pattern. Cut out two 58mm circles. Cut out two 58mm purple circles. Leave to dry on a foam mat.

Step 2

To make the larger ghost roll a cherry tomato sized piece of white paste into a ball and angle your hands to make a teardrop shape. Bend the tail of the ghost slightly. 

Step 3

Cut out a 29mm circle of black paste for the brim of the hat and glue to the ghosts head. Roll a marble sized piece of black paste into a teardrop shape using the sides of your hands. Cut off the rounded end and stick onto the brim of the hat bending the tip over.

Step 4

To make the ghosts arms roll two small teardrop shapes from white paste. Make a little dent on each side of the ghost with the end of a paintbrush and glue the arms inside (pointed end first)

Step 5

Make two small indents for the eyes and add small balls of black paste. Add tiny white pieces of paste for the highlights.

Step 6

For the baby ghost make a small teardrop shape as before and bend the end up. Roll a small sausage shape of white paste and cut in half to make the baby ghosts arms and stick on with glue.

Step 7

Glue both ghosts to the black cobbled topper and leave to dry (supporting with kitchen roll if necessary)

WITCHES HAT

Step 1

Roll a cherry tomato sized piece of black paste into a ball and angle your hands to make a teardrop shape and cut of the rounded end to make the witches hat.

Step 2

Cut out a 29mm circle of black paste. Add a small spot of glue to the centre of the circle and attach to a purple discs. Use the end of a paintbrush to lift the brim in three places slightly. Glue on the cone of the hat and bend tip slightly.

Step 3

To make the spider roll a small oval ball of fuschia paste in the palm of your hand.

Step 4

Roll another piece of fuschia paste into a long thin length. Place the body on top of the length of paste and cut the first pair of legs

Step 5

Repeat this three times to create the spiders 8 legs and use a craft knife to separate and shorten the legs.

Step 6a

Roll out a long thin length of black paste and bend the top section over to make the first loop (in the shape of an ‘e’)

Step 6b

Repeat to make a second loop and cut off excess.

Step 6c

Glue the spider to the bottom of this length and attach this to the witches hat with sugar glue.

Step 7

Use a small ball tool to make two indents for eyes and fill with small balls of black paste. Add highlights as before.

Step 8

Using a 6mm round plunger cutter, cut out a thin circle of white paste. Cut in half and attach one half for the mouth of the hat.

PUMPKIN

Step 1

Roll a cherry tomato sized piece of orange paste into a ball and cut off a quarter with a craft knife and set aside.

Step 2

Push the ball into the workboard leaning it back slightly and use a silicon shaping tool to create grooves for the pumpkin and repeat on the lid. 

Step 3

Roll a small piece of light green paste into a teardrop shape and cut off the rounded end. Make a small indent with a small ball tool in the lid and glue in the stalk.

Step 4

To make the lollies roll out two long thin lengths of green and fuchsia paste. Pinch together and the top and twist into a rope.

Step 5

Curl these round to make a lolly and repeat to make a smaller one. Flatten slightly with your finger

Step 6

To make the candies roll three thin lengths of fuchsia, orange and white paste and push together.

Step 7

Cut diagonally one way and the other to cut 6 little candies. Use your thumb and fingers to push and shape them together.

Step 8

Use a small ball tool to make two indents for eyes and fill with small balls of black paste. Add white highlights as before. 

Step 9

Fill the pumpkin with the sweets and candies. Attach pumpkin, lid and additional sweet onto the black topper.

CAULDRON

Step 1

Roll a cherry tomato sized piece of black paste into a ball. Cut off a quarter with a knife.

Step 2

Roll 3 pea sized pieces of black paste into balls and set aside to dry.

Step 3

For the rim of the cauldron roll out a piece of paste 3mm thick and cut out a 2.5cm circle and attach to the flat side of the cauldron with sugar glue.

Step 4

Roll a collection of little balls of varying sizes using green, fuchsia and orange paste and arrange these on the top of the cauldron securing with sugar glue.

Step 5

Use a small ball tool to make two indents for eyes and fill with small balls of black paste. Add white highlights as before. 

Step 6

When the cauldron legs feel firmer arrange them in a small triangle on the purple disc and gently stick the cauldron on top.

Step 7

Using a 6mm round plunger cutter, cut out a thin circle of white paste. Cut in half and attach one half for the mouth of the cauldron. Add a few bubbles to the side of the cauldron.

Step 8

Roll 2 small white balls of paste and use a small ball tool to make an indent. Stick in 2 small balls of black paste and add highlights as before. Stick these onto the topper.